Peter Greenaway - Videos
Length: 1:28:56
"Nine Classic Paintings Revisited" second lecture by filmmaker Peter Greenaway at the Townsend Center for the Humanities, University of California, Berkeley.
Length: 1:38:27
"New Possibilities: Cinema Is Dead, Long Live Cinema" is the first of two lectures presented by filmmaker Peter Greenaway at the Townsend Center for the Humanities, University of California, Berkeley.
09/19/2009
A roughly edited apercu of Peter Greenaway's Masterclass at 15es Nyxtes Premieras introducing Greenaway's work, and speaking about how recent technological innovation have expanded dramatically the possibilities open to filmmakers
06/10/2009
Length: 0:10:23
Peter Greenaway in an interview at German 3Sat Kulturzeit, speaking about the future of cinema. (in German)
Peter Greenaway talks about being a director and filmmaker in Holland and gives a preview of his new movie based on Rembrandt Harmenszoon van Rijn's painting "Night Watch" which is an elaborate production whereby his film is projected on top of the Flemish masterpiece.
Length: 0:09:38
Peter Greenaway presents includes fragments of his work "The Night Watch" which is projected on the painting by Rembrandt Harmenszoon van Rijn, and whether painting can ever be the same again, Greenaway describes further projects along these lines and the museums which are interested.
Length: 0:30:45
Director Peter Greenaway attending a press conference at the XXV Moscow International Film Festival on 20-29 June 2003 in Moscow, Russia, where he presented The Tulse Luper Suitcases (UK and Netherlands, with the participation of the Russian Federation)
Length: 0:02:17
Peter Greenaway, director and filmmaker showing a preview of his movie "Tulse Luper's Suitcase"; followed by a brief discussion in a public open lecture with students of the European Graduate School EGS, Media and Communication Film Studies department program, Saas-Fee, Switzerland, Europe, 2003
Greenaway explains why he thinks opera cannot be filmed and describes the creation of The Death of a Composer: Rosa, a Horse Drama 1999, narrative devices which connect John Lennon and Anton Webern.
Peter Greenaway in an episode of the Omnibus BBC documentary series: Anatomy of a Filmmaker from 1991, looking at his career and films, and some of the central themes and ideas that occur in them, particularly considering his latest film Prospero's Books. Includes an interview with Greenaway in which he talks about his approach to film making.
Commissioned by the COI, Peter Greenaway made a biographical short film about fashion designer Zandra Rhodes. Part 0 shows Mr. Greenaway discussing the film, parts 1 and 2 are the short film as such.
Peter Greenaway on Water Wrackets (short film from 1975): "From my enthusiasm for JRR Tolkien's Lord of the Rings. I invented a fictitious early population for that area called Wrackets. The Wrackets belonged in the swamps, the Mariotts lived in the hills, there was another group who lived in the forest; I was going to develop a very serious bogus anthropological-archaeological study of these mythical characters."
Length: 0:08:45
Early experimental film "The mixture is irresistible, the precision of Greenaway's spoken effects and the weaving of three voices (with bursts of Vivaldi) produces a pleasurable frisson." - John Pym, MFB
Length: 0:06:26
Peter Greenaway - Intervals (1969) "Very abstract, an attempt to make a movie without narrative using the figure 13, the harmonic structure Vivaldi used in The Seasons. It was made in Venice and combined images from both the Biennale - representing the high culture of painting in Europe - and the Film Festival, largely through graffiti on the houses in Venice."- Greenaway from petergreenaway .org.uk