Leslie Thornton - Biography
Leslie Thornton, is an American filmmaker and artist. Currently she lives and works in both New York and Rhode Island. Leslie Thornton was born in 1951 in Knoxville, Tennessee. Leslie Thornton creates vigorously experimental film and video. All her work delves into the mystery and ongoing investigations into the production, creation and distribution of meaning through and within media. One finds that with Leslie Thornton both form and content are critical and inform each other. Thornton is Professor of Modern Culture and Media at Brown University.
From a young age Leslie Thornton was engaged in avant-garde cinema due to weekly screenings of experimental film at a Unitarian church in Schenectady, NY that she regularly went to as a teenager in the 1960's. This unlikely event helped guide Leslie's aesthetic. In the early 1970s Leslie Thornton used her artistic talents in the world of painting. Although she painted for less than ten years she produced a large body of work that as Thomas Zummer writes in Senses of Cinema, "Thornton’s paintings organized a sensual, expressionist hand into strict formal geometric mappings. These works begin with a painterly sensuality set within and against a series of structural grids, so that there is a constant tension between expressivity and the ineffable...Unlike the minimalists, whose concern with phenomenological reduction implied an authoritative essentialism, Thornton’s practice was more troubled and problematic, engaged in a trajectory wherein painting gradually and irrevocably evacuated its presence within the visual field. Painting was a vessel incapable of the containment of the sensate. Language, gesture, emotion the random and inexplicable things and occurrences of the world were among her subjects; painting seemed insufficient. It was a matter of finding an appropriate instrument for her investigations."
Leslie Thornton attended the State University of New York in Buffalo, New York. While studying she worked with filmmakers such as Hollis Frampton, Paul Sharits, Stan Brakhage and Peter Kubelka. She also studied with Richard Leacock and Ed Pincus at MIT in Cambridge, MA. Leslie Thornton has received many awards, including the Maya Deren Award, the first Alpert Award in the Arts for media, a nomination for the Hugo Boss Award, two Rockefeller Fellowships, and grants from the National Endowment for the Arts, New York State Council on the Arts, New York Foundation for the Arts, Jerome Foundation, and Art Matters.
Leslie Thornton's film and media works have been exhibited across the world, in venues including The Museum of Modern Art, New York; the Whitney Biennial Exhibition; Centre George Pompidou, Paris; Rotterdam International Film Festival; New York Film Festival; capcMusée, Bordeaux; Pacific Film Archives, Berkeley; and festivals in Oberhausen, Graz, Mannheim, Berlin, Austin, Toronto, Tokyo and Seoul, among many others. Leslie was the only female experimental filmmaker noted in Cahiers du Cinema's '60 most important American Directors' publication. Leslie Thornton's project Peggy and Fred in Hell was awarded in numerous in annual best lists including: The Village Voice and The New York Times.
Leslie Thornton's films include: Minus 10. 2005. multi-media, surround sound installation, Let Me Count the Ways: Minus 10, 9, 8, 7... 20. 2004. minutes, color, video, Peggy and Fred in Hell; End in New World, a definitive linear version of this 20 year long project. 2003. 90 minutes, b&w/color, film & video, Paradise Crushed. 2003. 12 minutes, b&w, color, film & video, Origin. 2003. 4 minutes, color, video, Temporary Modern. 2003. 4 minutes, color, video, The 10,000 Hills of Language. 2002. V.2-mulimedia installation, The Great Invisible. 2002. 90 minutes, color, 16mm film. an experimental docu-drama about the 19th century traveller, Isabelle Eberhardt (currently showing as a one hour work-in-progress). Peggy and Fred on Television. 2002.single channel variant,105 minutes, b/w, sepia, color, video, Paradise Crushed. 2002. 7 minutes, video, b/w, Bedtime v.2. 2002. 7 minutes, video, b/w, Document of an Installation. 2002. 6 minutes, color & b/w, video, The Splendor. 2001. 2 minutes, video, Have a Nice Day Alone. 2001. 7 minutes, video and film versions, Quickly, Yet Too Slowly. 2000. multimedia installation, A Peggy and Fred in Hell environment (in Presumés Innocent, capcMusée d’art contemporain de Bordeaux, France; June 8 – October 1, 2000), Bedtime. 2000. 4 minutes, b/w, video, Chimp For Normal Short. 1999. 7 minutes, sepia, 16mm film, Another Worldy. 1999. 24 minutes, b/w, color 16mm film.
Other films include: The Haunted Swing. 1998. 16 minutes, color, video, …or lost. 1997. 7 minutes, color, 16mm film, Old Worldy. 1996. 30 minutes, b/w, video, The Problem So Far. 1996. 7 minutes, b/w, 16mm film and video, Whirling. 1996. 2 minutes, b/w, 16mm film, The Last Time I Saw Ron. 1994. 12 minutes, color, video, Strange Space. 1993. 4 minutes, color, video, co-produced with Ron Vawter, Introduction To The So-Called Duck Factory. 1993. 7 minutes, b/w, video, [Dung Smoke Enters The Palace]. 1989. 16 minutes, b/w, 16mm film & video, Peggy and Fred and Pete. 1988. 23 minutes, sepia, video, There Was An Unseen Cloud Moving. 1988. 60 minutes, color, video, Peggy and Fred in Kansas. 1987, 11 minutes, b/w, video, She Had He So He Do He To Her. 1987, 5 minutes, color, 16mm film, 1,001 Eyes. 1987. multimedia installation, Peggy and Fred in Hell: The Prologue. 1985. 21 minutes, b/w, 16mm film, Oh, China, Oh. 1983. 3 minutes, b/w, 16mm film, Adynata. 1983. 30 minutes, color, 16mm film, Jennifer, Where Are You? 1981. 10 minutes, color, 16mm film, noexitkiddo. 1981. 30 minutes, color, 16mm film, Minutiae. 1979. 55 minutes, color, 16mm film, Fiddlers in May. 1977. 28 minutes, color, 16mm film. documentary produced for Connecticut Public Television/CPTV, Howard. 1977. 30 minutes, b/w, 16mm film, All Right You Guys. 1976. 16 minutes, b/w, 16mm film, X-TRACTS. 1975. 9 minutes, b/w, 16mm film and Face. 1974. 10 minutes, color/silent, S-8mm film.