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Laura U. Marks - Bibliography

Books:

Marks, Laura U. Enfoldment and Infinity: An Islamic Genealogy of New Media Art. MIT Press. 2010. Paperback, 310 pages, Language English, ISBN: 0262014211. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.

Marks, Laura U. Touch: Sensuous Theory and Multisensory Media. University of Minnesota Press. 2002. Hardcover, 280 pages, Language English, ISBN: 0816638888. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr. Paperback, ISBN: 0816638896. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.

Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Duke University Press. 1999. Hardcover, 320 pages, Language English, ISBN: 0822323583. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr. Paperback, ISBN: 0822323915. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.

Chapters in Books:

Marks, Laura U. "Genetic algorithms, Kunstwollen, and Caucasian carpets." in: Andreas Broeckmann and Gunalan Nadarajan (Editors). Place Studies in Art, Media, Science and Technology: Historical Investigations on the Sites and the Migration of Knowledge. VDG Weimar, 2008. Language English.

Marks, Laura U. "Thinking Multisensory Culture." in: Paragraph. Vol. 31, No. 2, July 2008, p. 123-137. (English).
Marks, Laura U. "Thinking Multisensory Culture." in: ettina Papenberg and Marta Zarzycka (Editors). Carnal Aesthetics: Transgressive Imagery and Feminist Politics. Language English.

Marks, Laura U. "Experience – Information – Image : a historiography of unfolding. Arab cinema as example." in: Cultural Studies Review. Vol. 14, No. 1, March 2007, p. 85-98. (English).
Marks, Laura U. “Geopolitics hides something in the image; Arab cinema unfolds something else." in Bélen Vidal, Dina Iordanova and David Martin Jones (Editors). Cinema at the Periphery. Wayne State University Press. 2010. Paperback, 280 pages, Language English, ISBN: 0814333885. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.

Marks, Laura U. “Immigrant semiosis." in Susan Lord and Janine Marchessault (Editors). Fluid Screens, Expanded Cinema: Digital Futures. University of Toronto Press. 2007. p. 284-303. Hardcover, 240 pages, Language English, ISBN: 0802092977. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr. Paperback, ISBN: 0802096441. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.

Marks, Laura U. "The Haptic Transfer and the Travels of the Abstract Line: Embodied perception from classical Islam to modern Europe." in: Christina Lammer and Kim Sawchuk (Editors). Verkörperungen/Embodiment. Löcker Verlag. 2007. p. 269-284. Paperback, 290 pages, Language German and English, ISBN: 3854094396. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.

Marks, Laura U. "Mémoire et implication: les origines islamiques des médias numériques." in: Claude Filteau and Michel Beniamino (Editors). Mémoire et culture. Presses Universitaire de Limoges. 2007. p. 305-311. Paperback, 534 pages, Language French, ISBN: 2842873777. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.

Marks, Laura U. “Asphalt Nomadism: The new desert in contemporary Arab cinema." in: Martin Lefebvre (Editor). Landscape Cinema. Routledge, 2006. Hardcover, 376 pages, Language English, ISBN: 0415975549. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr. Paperback, ISBN: 0415975557. Buy it at Amazon.com, Amazon.ca, Amazon.de, Amazon.co.uk or Amazon.fr.

Curated Exhibitions:

Marks, Laura U. “Visualizing Ecstasy,” program for Mystifying Rumi. Conference, Centre for the Comparative Study of Muslim Societies and Cultures, October 2006.

Marks, Laura U. “Love, sea, snow and war,” program of experimental films for Toronto Arab Film Festival. December 2006.

Marks, Laura U. Mortal tissue: Beirut’s cinema of the vulnerable body. Pacific Cinematheque, San Francisco, November 2004.

Marks, Laura U. Virtual Beirut. San Francisco Cinematheque, November 2004.

Marks, Laura U. Contemporary Arab Cinema. 13-week free public series at Simon Fraser Harbour Centre Campus, September-December 2004.

Marks, Laura U. "Virtual Beirut: Lebanese artists look beneath the skin of the image." in: SeNEF, Seoul Net and Experimental Film Festival. Seoul, South Korea, September 2004.

Marks, Laura U. Never the Right Time: Experimental Media from the Arab World. with guest Mohamed Soueid, Images Festival, Toronto, April 2004.

Marks, Laura U. Never the Right Time: Experimental Media from the Arab World. with guest artist Mohamed Soueid, Available Light Film Collective, Ottawa, April 2004.

Marks, Laura U. Enfolded Tales. program for the 20th Annual Conference on Literature and Film, Florida State University, Tallahassee, January 2004.

Marks, Laura U. The World Seen through Nomadic I’s four-part program for Argos Festival, Brussels, October 2002.

Marks, Laura U. Immanence in the pixel: Islamic and intercultural roots of digital culture. Race in Digital Space 3.0, University of Southern California, Los Angeles, October 2002.

Marks, Laura U. Immanence in the pixel: traditional cultural origins of math and technology. for Subtle Technologies conference, Toronto, May 2002.

Marks, Laura U. Craving Duration. for Available Light Collective, SAW Video Co-op, Ottawa, November 2001.

Marks, Laura U. African Cinema: A Trio. for Canadian Film Institute, Ottawa, June 2001.

Marks, Laura U. and Robin Curtis. “Out of Time,” section of the Oberhausen Short Film Festival. Oberhausen, Germany. Included 15 curated programs, 8 guest lectures, 8 commissioned catalogue essays (May). 2001.

Marks, Laura U. Whose Land? Skewed Views of Canadian Geography. for Available Light Collective, Gallery 101, Ottawa, November 2000.

Marks, Laura U. Stuck on Structuralism. for Available Light Collective, SAW Video Co-Op, Ottawa, March 2000.

Marks, Laura U. Video in the Digital Age. Saratoga Springs Public Library, Saratoga Springs, NY, February 2000.

Marks, Laura U. Lo Tek and Loving It: Electronic Media from Analog to ASCII. videotheque and installation co-curated with Available Light Collective, SAW Video Co-Op and SAW Gallery, May 1999.

Marks, Laura U. CD-ROM selections for “Art Ex Machina". Carleton University Art Gallery, April 1999.

Marks, Laura U. Toys F Us. for Available Light Collective, SAW Video Co-Op, Ottawa, December 1998.

Marks, Laura U. Men We Love. for Available Light Collective, SAW Video Co-Op, Ottawa, November 1998.

Marks, Laura U. Impossible Histories of the Middle East. for Available Light Collective, SAW Video Co-Op, Ottawa, May 1998.

Marks, Laura U. Disappearing Images. for Available Light Collective, SAW Video Co-Op, Ottawa, March 1998.

Marks, Laura U. Haptic Cinema. for Proseminar in Cinema and Culture, University of Iowa, February 1998.

Marks, Laura U. Digital Salon. Robert Flaherty Seminar, Ithaca, NY, October 1997.

Marks, Laura U. (Selection committee). Los Angeles Asian Pacific Film and Video Festival. September 1997.

Marks, Laura U. Community Media in Canada: The Challenge for Change and the Inuit Broadcasting Corporation. at “Representation, Arts and Media in Education and Community,” Carleton University, Ottawa. 1997.

Marks, Laura U. (Selection committee). LA Freewaves Fifth Celebration of Independent Video. Los Angeles. Individual program: “Short Tapes About Longing”. 1996.

Marks, Laura U. (Selection committee). Los Angeles Asian Pacific Film and Video Festival September 1996.

Marks, Laura U. What Is a Man? film/video series, Third Rochester Lesbian and Gay Film and Video Festival, Rochester, NY. 1995.

Marks, Laura U. Touch Memory. Images Festival of Independent Film and Video, Toronto. 1995.

Marks, Laura U. Montage—Frottage—Bricolage. film/video series, Pyramid Arts Center, Rochester, NY. 1994.

Marks, Laura U. (Selection, outreach, and program committees). Second Rochester Gay and Lesbian Film Festival. 1994.

Marks, Laura U. Film program, "Sexual Violence and Exploitation” conference. University of Rochester. 1994.

Marks, Laura U. Rumours of War. film/video series, Pyramid Arts Center. 1994.

Marks, Laura U and Stephanie Maxwell. All Persuasions: Women's Erotic Imagery. film/video series, Rochester Institute of Technology and Pyramid Arts Center. 1993.

Marks, Laura U. Rituals for Power. film/video series, Pyramid Arts Center. 1993.

Marks, Laura U. (Selection committee). First Rochester Gay and Lesbian Film Festival. Rochester, NY. 1993.

Marks, Laura U. Film and Video from the New Colony. Pyramid Arts Center. 1993.

Marks, Laura U. Palestine: The Aesthetics of Exile. film and video series, International Museum of Photography at George Eastman House and other locations, Rochester, NY. 1992.

Marks, Laura U. (Co-organizer). Public Relations: Kodak, the Community, and the Media. exhibition, Pyramid Arts Center. 1988.