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Klaus Ottmann


Biography | Lectures | Bibliography | Resources | Links

Books

Articles  Top  


Still Points of the Turning World: SITE Santa Fe’s Sixth International Biennial. Santa Fe: SITE Santa Fe, 2006.

Thought Through My Eyes: Writings on Art, 1977–2005. Putnam. Spring Publications. 2006. ISBN: 0882145789.

Gershom Scholem. Alchemy and Kabbalah (translator). Putnam. Spring Publications. 2006.

Color Symbolism: The Eranos Lectures (editor, translator, introduction). Putnam, Conn.: Spring Publications. 2005.

Social Strategies: Redefining Social Realism (with Pamela Auchincloss). University of Washington Press. 2003.

The Genius Decision: The Extraordinary and the Postmodern Condition. Putnam, Conn.: Spring Publications, 2004.

James Lee Byars: Life, Love, and Death. Ostfildern-Ruit: Hatje Cantz, 2004 (English/German).

The Essential™ Mark Rothko. Harry N. Abrams/The Wonderland Press (Spring 2003).

Wolfgang Laib: A Retrospective. Hatje Cantz Publishers, 2000. ISBN: 3775709452 Buy it at Amazon.com.

The Essential™ Michelangelo. New York; Harry N. Abrams/The Wonderland Press, 2000. ISBN: 0810958171 Buy it at Amazon.com.

Mark Morrisroe. Twin Palms Publishers, 1999. ISBN: 0944092624 Buy it at Amazon.com.


Articles

Books  Top  


"The Unattended Moment," in James Lee Byars: The Rest Is Silence. New York: Mary Boone, Perry Rubenstein, and Michael Werner Galleries, 2006, in English and German.

"Robert Grosvenor In His Own Place," Sculpture (October 2005): 38–43.

"Painting Heads," Tony Bevan. Valencia: IVAM, 2005.

"Robert Grosvenor as an American," in Robert Grosvenor. Porto: Museu Serralves, 2005, in English and Portuguese.

"Introduction," in Pierre Restany, Yves Klein: Fire at the Heart of the Void. Putnam, Conn.: Spring Publications, 2005.

"Gateways of the Now: Remarks on the Drawings of Wolfgang Laib," in The Essence of the Real: Wolfgang Laib – Drawings and Photographs. Bonn: Kunstmuseum, 2005, in English and German.

"James Lee Byars: A Lifetime’s Death in Love," in James Lee Byars: The Perfect Silence. New York: Whitney Museum of American Art, 2004 (exhibition brochure).

"Frank Stella's Prince of Ambiguity," Sculpture (June 2004): 35–39.

"Spiritual Materiality: Contemporary Sculpture and the Responsibility of Forms," Sculpture , April 2002.

"'Certitude is the Imaginary': the Drawings of Wolfgang Laib," Art On Paper (November-December 2000); 61–65.

"L'uomo e il suo ambiente alla Biennale di Kwangju/Man and his Environment at the Kwangju Biennial," Domus 827 (June 2000): 91–96.

"Io Sono: un'nuovo umanesimo nell'arte e nel design americani/I am: A New Humanism in American Art and Design," Domus 816 (June 1999): 108-109.

"The World As Picture: Image Production at the End of the Twentieth Century," Poiesis: A Journal of the Arts and Communication (1999): 14-15.

"Criticism and the Common Consciousness," ACME Journal, Vol 1, No. 1 (Spring 1992): 61-67.

"The Reinvention of Painting," Arts Magazine (January 1989): 40–42.

"L'activité fractaliste," (in French) Art Press (Paris) 144 (February 1990): 31–33.

"Photomannerisms," Flash Art 137 (November/December 1987): 70–72.

"True Pictures," Flash Art 132 (February/March 1987): 90–91.

"Heidegger, Beuys, and the Consequences," Flash Art 154 (October 1990): 123–124.

"The Spectacle of Chaos," Flash Art 135 (Summer 1987): 60–61.

"Painting in an Age of Anxiety," Flash Art 118 (Summer 1984): 32–35.




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