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- Cornelia Parker at The Story, a one-day conference about stories and story-telling. Conway Hall, London, February 18th, 2011. Copyright: Toby Barnes.
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- Cornelia Parker at The Story, a one-day conference about stories and story-telling. Conway Hall, London, February 18th, 2011. Copyright: Toby Barnes.
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- Cornelia Parker. Folkestone Mermaid, the bronze cast of a local 38-year-old mother-of-two: Georgina Baker, of Sandgate. Folkestone Triennial 2011. England, GB. Copyright: Steve Wilde.
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- Cornelia Parker. Folkestone Mermaid, the bronze cast of a local woman immortalised in bronze in the pose of Copenhagen's Little Mermaid as part of a Kent art festival. Copyright: Andrew M. Butler.
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- Cornelia Parker. Folkestone Mermaid, the bronze cast of local woman Georgina Baker for the Folkestone Triennial 2011. Folkestone, England, GB. Copyright: Loz Pycock.
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- Cornelia Parker. Folkstone Mermaid, bronze statue seated unobtrusively on a rock above the Sunny Sands beach. Folkestone, England, GB, Folkestone Triennial 2011. Copyright: Steve Wilde.
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- Cornelia Parker. Folkestone Mermaid, the bronze cast of a local 38-year-old mother-of-two: Georgina Baker, of Sandgate. Folkestone Triennial 2011. England, GB. Copyright: Steve Wilde.
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- Cornelia Parker. Folkestone Mermaid, the bronze cast of a local woman immortalised in bronze in the pose of Copenhagen's Little Mermaid as part of a Kent art festival. Copyright: Andrew M. Butler.
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- Cornelia Parker. Folkestone Mermaid, the bronze cast of local woman Georgina Baker for the Folkestone Triennial 2011. Folkestone, England, GB. Copyright: Andrew M. Butler.
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- Cornelia Parker. Folkstone Mermaid, bronze statue seated unobtrusively on a rock above the Sunny Sands beach. Folkestone, England, GB, Folkestone Triennial 2011. Copyright: Loz Pycock.
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- Cornelia Parker. Folkestone Mermaid, the bronze cast of a local 38-year-old mother-of-two: Georgina Baker, of Sandgate. Folkestone Triennial 2011. England, GB. Copyright: Andrew M. Butler.
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- Cornelia Parker. Folkestone Mermaid, the bronze cast of a local woman immortalised in bronze in the pose of Copenhagen's Little Mermaid as part of a Kent art festival. Copyright: Andrew M. Butler.
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- Cornelia Parker. Landscape with Gun And Tree. Steel sculpture of a gun at Jupiter Artland, Kirknewton, Edinburgh. 2010. Copyright: J. Haeske.
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- Cornelia Parker. Landscape with Gun And Tree, 9m steel sculpture of a gun, modelled on Jupiter Artland owner Robert Wilson’s 19th Century shotgun. Copyright: J. Haeske.
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- Cornelia Parker. Landscape with Gun And Tree sculpture, taking its inspiration from the gun in Gainsborough’s Mr. and Mrs. Andrews, ca. 1750. Copyright: J. Haeske.
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- Cornelia Parker. Landscape with Gun And Tree, 9m steel sculpture of a gun leaning against a beech tree in the Gala Woods. Copyright: Miklos Kiss.
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- Cornelia Parker. Landscape with Gun And Tree. Steel sculpture of a gun at Jupiter Artland, Kirknewton, Edinburgh. 2010.Copyright: Barbara Agnew.
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- Cornelia Parker. Landscape with Gun And Tree, 9m steel sculpture of a gun, modelled on Jupiter Artland owner Robert Wilson’s 19th Century shotgun. Copyright: Miklos Kiss.
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- Cornelia Parker. Landscape with Gun And Tree sculpture, taking its inspiration from the gun in Gainsborough’s Mr. and Mrs. Andrews, ca. 1750. Copyright: Miklos Kiss.
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- Cornelia Parker. Beach Chair, a personalized chairs, to be auctioned off for charity. White: Chalk from the white cliffs of Dover/ Red: A house that fell on to them. London Design Festival 2009 Palette Project. 2009. Copyright: Antonia Halse.
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- Cornelia Parker. Embryo Firearms. Colt 45 guns in the earliest stage of production given the finish of a completed gun, 19 x 13 x 2.4 cm each. 1995. Copyright: Rowan Kerek Roberson.
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- Cornelia Parker. Rorschach (Endless Column II), 2005. 14 silver-plated objects crushed by 250 ton industrial press, metal wire, 154 x 16 x 1/4 inches, Never Endings exhibition at Ikon Gallery, 26 September 2006 – 18 November 2007. Copyright: Rowan Kerek Roberson.
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- Cornelia Parker. Rorschach (Endless Column II), 2005. 14 silver-plated objects crushed by 250 ton industrial press, metal wire, 154 x 16 x 1/4 inches, Never Endings exhibition at Ikon Gallery, 26 September 2006 – 18 November 2007. Copyright: Rowan Kerek Roberson.
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- Cornelia Parker. Rorschach (Accidental IV), 2006, 70 silver plated objects crushed by 250-ton industrial press, metal wire, Museum of Contemporary Art San Diego - MCASD. Copyright: Jim Kuhn.
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- Cornelia Parker. Shared Fate (Oliver). Oliver Twist cut in two by the guillotine which cut off Marie Antoinette's head. Never Endings exhibition at Ikon Gallery, 26 September 2006 – 18 November 2007. 2005. Copyright: Rowan Kerek Roberson.
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- Cornelia Parker. Anti-Mass. Charcoal and wire. 156 x 132 x 135 in. Recent acquisition poster. Museum purchase. De Young Museum, San Francisco. 2005. Copyright: Shelley Bernstein.
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- Cornelia Parker. Anti-Mass. Sculpture constructed from the charred remains of a Southern Black Baptist Church that was destroyed by arsonists. 2005. Copyright: Shelley Bernstein.
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- Cornelia Parker. Anti-Mass. Made from wire and the timbers of a church that was subject to arson. From the collection of the De Young Museum in San Francisco, CA. 2005. Copyright: Marshall Astor.
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- Cornelia Parker. Anti-Mass. Word mass is being used as a reference to the elemental substance of the universe and the sacramental ritual within the Christian faith. 2005.Copyright: Carolina A. Miranda.
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- Cornelia Parker. Anti-Mass. Constructed from the remains of a Southern Black Baptist church that was destroyed by arson. Sculpture by Cornelia Parker. 2005. Copyright: Marshall Astor.
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- Cornelia Parker. Anti-Mass. Sculpture constructed from the charred remains of a Southern Black Baptist Church that was destroyed by arsonists. 2005. Copyright: Jeremy Brooks.
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- Cornelia Parker. Anti-Mass. Made from wire and the timbers of a church that was subject to arson. From the collection of the De Young Museum in San Francisco, CA. 2005. Copyright: Jeremy Brooks.
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- Cornelia Parker. Anti-Mass. Word mass is being used as a reference to the elemental substance of the universe and the sacramental ritual within the Christian faith. 2005. Copyright: Juicyrai.
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- Cornelia Parker. Anti-Mass. Constructed from the remains of a Southern Black Baptist church that was destroyed by arson. Sculpture by Cornelia Parker. 2005. Copyright: Thom Watson.
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- Cornelia Parker. Anti-Mass. Sculpture constructed from the charred remains of a Southern Black Baptist Church that was destroyed by arsonists. 2005. Copyright: Thom Watson.
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- Cornelia Parker. Rorschach (Vera). 2005. Body of work consisting of flattened and suspended silver plated objects considered by Parker as traditional signifiers of class and etiquette in Britain. Tenerife Espacio de las Artes (TEA), Tenerife. Copyright: Niels Huijbregts.
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- Cornelia Parker. Rorschach (Vera). 2005. Sculptures of flattened silver plated objects, such as trophies, candelabra, tea sets, cutlery and musical instruments, hovering a few inches from the floor space. Tenerife Espacio de las Artes (TEA), Tenerife. Copyright: Niels Huijbregts.
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- Cornelia Parker. Subconscious of a Monument. 2003. Now-desiccated clay removed from beneath Leaning Tower of Pisa in order to prevent its collapse. Copyright: Dan Hill.
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- Cornelia Parker. Subconscious of a Monument. 2003. Composed of fragments of dry soil excacated under Leaning Tower of Pisa, suspended on wires from the gallery ceiling. Copyright: Dan Hill.
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- Cornelia Parker. Subconscious of a Monument. 2003. Now-desiccated clay removed from beneath Leaning Tower of Pisa in order to prevent its collapse. Copyright: Rowan Kerek Roberson.
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- Cornelia Parker. Breathless. 2001. Musical instruments acquired from old establishments, squashed by another age-old institution, Tower Bridge and now suspended on stainless steel wire. Copyright: Peter Doughty.
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- Cornelia Parker. Breathless. 2001. Brass musical instruments, flattened and suspended in the Occulus, V&A Museum British Galleries, London. Copyright: Andrew Aldridge.
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- Cornelia Parker. Breathless. 2001. A variety of flattened horns such as trumpets and tubas suspended from the ceiling in the Victoria and Albert Museum. London. Copyright: Peter Doughty.
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- Cornelia Parker. Parker, Cornelia. Breathless. 2001. Flattened brass musical instruments, suspended. Victoria and Albert Museum. British Galleries. London. Copyright: Moorina.
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- Cornelia Parker. Breathless. 2001. Musical instruments acquired from old establishments, squashed by another age-old institution, Tower Bridge and now suspended on stainless steel wire. Copyright: Mark van der Werff.
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- Cornelia Parker. Breathless. 2001. Brass musical instruments, flattened and suspended in the Occulus, V&A Museum British Galleries, London. Copyright: Andrew Duckworth.
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- Cornelia Parker. Edge of England. 1999. Chalk retrieved from a cliff fall at Beachy Head, South Downs, England. Copyright: Tyle R..
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- Cornelia Parker. Edge of England. 1999. Chalk from a cliff fall at Beachy Head, England suspended by wire. Milwaukee Art Museum, Wisconsin. Copyright: Tyle R..
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- Cornelia Parker. Edge of England. 1999. Pieces of chalk collected from a cliff-fall at Beachy Head. Milwaukee Art Museum, Wisconsin. Copyright: Tyle R..
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- Cornelia Parker. Edge of England. 1999. Chalk retrieved from a cliff fall at Beachy Head, South Downs, England. Copyright: Tyle R..
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- Cornelia Parker. Mass (Colder Darker Matter). Burnt wood, wire and string. Collection of Phoenix Art Museum. 1997. Copyright: Paul McCarthy.
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- Cornelia Parker. Mass (Colder Darker Matter). Charred wood from a Texas church that burned down after being struck by lightning. 1997. Copyright: Carol Gunby.
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- Cornelia Parker. Mass (Colder Darker Matter). Installation constructed from the charred remains of a Texas church that was struck by lightning. 1997. Copyright: Octavio Heredia.
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- Cornelia Parker. Neither from nor Towards. 1992. House bricks retrieved from beneath the white cliffs of Dover. Copyright: Matt Kiefer.
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- Cornelia Parker. Neither from nor Towards. 1992. Suspended bricks in an uncertain state of collapse or resurrection. Coulthard gallery, Somerset House, London. Copyright: Matt Kiefer.
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- Cornelia Parker. Thirty Pieces of Silver. 1988. Silver objects flattened by a steamroller, arranged into disc-shaped groups and suspended by wire. Tate Modern. London. Copyright: grahamc99.
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- Cornelia Parker. Thirty Pieces of Silver. 1988. Flattened silver objects, including plates, spoons, candlesticks, trophies, cigarette cases, teapots and trombones suspended by wire. Tate Modern. London. Copyright: Jim Kuhn.
